By Azzam Bilal 
HangupsMusic.com – Brighton, the British punk landscape has long been a breeding ground for dissent, but few contemporary acts have managed to weaponize social critique as viscerally as the Lambrini Girls. Following a meteoric rise that saw their debut record become a cornerstone of modern rock, the duo has officially announced their return. Their second full-length studio album, titled No Refunds, is scheduled for a worldwide release on January 15, 2027, via the esteemed City Slang label. This announcement marks a pivotal moment for the band, signaling a transition into a darker, more experimental, and unapologetically radical era of their career.
The news comes as a natural progression for a band that seems to have established a tradition of kicking off the calendar year with a major statement. Their debut LP, Who Let the Dogs Out, arrived in January 2025 to widespread critical acclaim, eventually landing a prestigious spot on various year-end lists, including a high-ranking position on Pitchfork’s roundup of the best rock albums of that year. Now, nearly two years later, Phoebe Lunny (vocals and guitar) and Selin Macieira (bass) are ready to delve even deeper into the systemic fractures of the modern world.
The lead-up to No Refunds has been spearheaded by the release of a blistering new single, "Bang Bang Bang." The track is described by the band as a character study of a polarizing figure—a man who occupies a dual space in the public consciousness, revered by some as a savior or Christ-like icon, while being condemned by others as a demonic presence. Accompanied by a shadowy, atmospheric music video, the song serves as a perfect microcosm of the album’s broader themes: the idolization of power, the volatility of public perception, and the blurring lines between morality and cult-like devotion.
No Refunds is not merely a continuation of their previous work; it is billed as a significant evolution. Across its 11 tracks, the duo tackles a daunting array of contemporary anxieties. From the existential threat of artificial intelligence to the harrowing realities of global genocide and the toxic proliferation of the "manosphere," Lambrini Girls are refusing to look away from the most uncomfortable conversations of the decade. The tracklist includes previously released material like "Cult of Celebrity," a song that laid the groundwork for the album’s preoccupation with the corrosive nature of fame and the digital age’s obsession with personality over substance.
The path to this second album was fraught with significant personal and physical challenges, adding a layer of raw authenticity to the recording. The demands of a rising career took a heavy toll on both members. In late 2025, Selin Macieira was forced to take a hiatus from the band’s touring schedule following a manic episode triggered by extreme burnout. This period of recovery was essential for her well-being, highlighting the often-ignored mental health crisis within the independent music circuit. Meanwhile, Phoebe Lunny faced her own ordeal, suffering a serious brain injury during the band’s inaugural tour of Australia.
Rather than allowing these setbacks to derail their creative momentum, the duo found that their shared struggles and frustrations provided the necessary fuel for their new material. The process of songwriting became a cathartic exercise, a way to process the trauma of their health battles and the exhaustion of the road. This sense of urgency is palpable throughout the new record, which reportedly leans into a more aggressive, unpolished sound that reflects their internal turmoil.
The thematic scope of No Refunds is broad and unflinching. Titles like "Truth to Power" and "Wake Up!" suggest a call to action, while "Don’t Talk to Me Until I’ve Had My Abortion" and "White Man’s World" indicate a continued commitment to feminist and anti-patriarchal advocacy. Perhaps most striking is the track "Gaza Beach," which points toward a global perspective on human rights and conflict, moving the band beyond the localized concerns of the UK punk scene and into the realm of international protest music.
The inclusion of "Is This AI?" as the album’s closing track speaks to the band’s interest in the technological shift currently reshaping the creative industries. As musicians who rely on the visceral, human connection of live performance and analog aggression, the encroachment of algorithmic art is a subject they treat with a mix of skepticism and creative curiosity.
To support the release, Lambrini Girls have mapped out an extensive touring schedule that reflects their growing global footprint. The band is currently finishing a short string of high-profile dates in the United States, including a notable performance at Brooklyn Steel alongside the legendary Bikini Kill—a symbolic passing of the torch from one generation of riotous punks to the next. The US leg also includes stops in Indianapolis, Detroit, Chicago, St. Louis, Atlanta, Asheville, and Los Angeles, giving American audiences a final taste of the band’s current energy before they head into a brief winter hiatus.
Following the January release of No Refunds, the duo will embark on a comprehensive headlining tour across Europe and the UK in the spring of 2027. This trek, which begins in March, will see them playing some of the largest venues of their career to date. The UK leg includes marquee dates at Cambridge Junction, Bristol’s Prospect Building, Manchester Academy, and a massive show at London’s Roundhouse. They will also cross the Irish Sea for performances in Dublin and Belfast before heading to the mainland.
The European portion of the tour is equally ambitious, spanning May and June 2027. The band is set to perform in major cultural hubs including Amsterdam, Hamburg, Stockholm, Berlin, Prague, Vienna, and Milan. The tour concludes with a series of dates in France, Luxembourg, and Belgium, ending with a final show at DeRoma in Antwerp. This grueling schedule is a testament to the band’s resilience and their desire to bring the message of No Refunds to as many people as possible.
The legacy of their debut, Who Let the Dogs Out, still looms large, but No Refunds appears ready to step out from that shadow. By leaning into their most radical instincts and refusing to compromise on their political or personal truths, Lambrini Girls are positioning themselves as more than just a "buzz band." They are becoming a vital voice for a generation that feels increasingly alienated by the status quo.
As the music industry continues to grapple with the commercialization of rebellion, Lambrini Girls remain a refreshing anomaly: a band that is actually angry, actually vulnerable, and actually has something to say. No Refunds is not just an album title; it is a mission statement. There are no apologies for the noise they make, no retreats from the positions they take, and certainly no refunds for the intensity of the experience they provide.
No Refunds Tracklist:
- Truth to Power
- Cult of Celebrity
- White Man’s World
- Spilt
- Succulent Chinese Meal
- Bang Bang Bang
- Don’t Talk to Me Until I’ve Had My Abortion
- Gaza Beach
- The Basement
- Wake Up!
- Is This AI?
Upcoming 2026/2027 Tour Dates:
09-25 Brooklyn, NY – Brooklyn Steel (with Bikini Kill)
09-27 Indianapolis, IN – The Vogue
09-28 Detroit, MI – The Majestic Theatre
09-29 Chicago, IL – The Vic Theatre
10-02 St. Louis, MO – Delmar Hall
10-04 Atlanta, GA – Variety Playhouse
10-05 Asheville, NC – The Orange Peel
10-09 Los Angeles, CA – The Belasco
03-04 Cambridge, England – Cambridge Junction
03-05 Bristol, England – Prospect Building
03-06 Manchester, England – Academy 1
03-07 Birmingham, England – Institute 1
03-09 Dublin, Ireland – Vicar Street
03-10 Belfast, Northern Ireland – Empire
03-12 Glasgow, Scotland – Barrowlands
03-19 London, England – Roundhouse
05-06 Amsterdam, Netherlands – Melkweg
05-08 Hamburg, Germany – Fabrik
05-10 Gothenburg, Sweden – Pustervik
05-11 Oslo, Norway – Rockefeller
05-12 Stockholm, Sweden – Fallan
05-14 Berlin, Germany – Astra
05-15 Warsaw, Poland – Niebo
05-17 Prague, Czech Republic – Roxy
05-18 Vienna, Austria – Arena
05-20 Munich, Germany – Muffathalle
05-21 Milan, Italy – Lime
05-22 Lausanne, Switzerland – Les Docks
05-23 Lyon, France – Transbordeur
05-25 Cologne, Germany – Live Music Hall
05-26 Luxembourg, Luxembourg – Den Atelier
05-29 Paris, France – Elysée Montmartre
05-31 Brussels, Belgium – AB
06-01 Antwerp, Belgium – DeRoma
